The Undefeated Hemingway

'The Undefeated' is a short story by Ernest Hemingway featured in Men Without Women. The main character, Manuel Garcia, is a bullfighter who recently got out of the hospital and is now looking for work.

Implications of Narrative Perspective in Hemingway's 'The Undefeated'
Vol. 2, No. 1 (Jan., 1972), pp. 1-15 (15 pages)
  1. The Undefeated HEMINGWAY, Ernest on Amazon.com.FREE. shipping on qualifying offers.
  2. Biography of Ernest Hemingway 2. The Story of “The Undefeated“ III Main Part 1. The Main Theme 2. The Characterisation of Manuel Garcia 3. Pecularities of Hemingway’ s Style in “The Undefeated” 4. The Bullfight as Subject Matter 5. “The Undefeated“ as a Model for Hemingway’ s “The Old Man and the Sea“ IV Results.

The Undefeated Ernest Hemingway Sparknotes

Cite this Item

Copy Citation

Export Citation

Hemingway
Export a RIS file (For EndNote, ProCite, Reference Manager, Zotero, Mendeley…)
Note: Always review your references and make any necessary corrections before using. Pay attention to names, capitalization, and dates.

With a personal account, you can read up to 100 articles each month for free.

Already have an account? Log in

Monthly Plan

  • Access everything in the JPASS collection
  • Read the full-text of every article
  • Download up to 10 article PDFs to save and keep

Yearly Plan

  • Access everything in the JPASS collection
  • Read the full-text of every article
  • Download up to 120 article PDFs to save and keep

Purchase a PDF

Purchase this issue for $16.00 USD. Go to Table of Contents.

How does it work?

  1. Select a purchase option.
  2. Check out using a credit card or bank account with PayPal.
  3. Read your article online and download the PDF from your email or your account.
  • Access supplemental materials and multimedia.
  • Unlimited access to purchased articles.
  • Ability to save and export citations.
  • Custom alerts when new content is added.
Proceed to Cart
Preview
Publisher Information

The Undefeated Hemingway Pdf

JNT: Journal of Narrative Theory continues to follow the high standards set during its first four decades of publication; the newly focused JNT showcases theoretically sophisticated essays that examine narrative in a host of critical, interdisciplinary, or cross-cultural contexts. Of particular interest are history and narrative; cultural studies and popular culture; discourses of class, gender, sexuality, race, nationality, subalternity, and ethnicity; film theory, queer theory, and media studies; new historical, poststructural, or global approaches to narrative forms (literary or otherwise); along with essays that span or subvert epistemic and disciplinary boundaries. JNT is multi-genre, multi-period, multi-national.

Rights & Usage

This item is part of a JSTOR Collection.
For terms and use, please refer to our Terms and Conditions
The Journal of Narrative Technique © 1972 Journal of Narrative Theory
Request Permissions